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1987 (2021)

Starring Frances Lake and Tabitha Kenworthy
Written and Directed By Isabella Kerrigan

Worlds collide when polar opposites Friday and Debbie fall head over heels for one another, the only issue is; it's 1987. Follow the characters in a tale about identity, adversity and romance

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ABOUT

At the end of many years of trial and error in grades 7-11, high school film students are given the opportunity to make one great film, the whole year's project, the WACE film.
This is a project meant to encapsulate all of the skills that you have learnt across your high school experience. For me, this meant a period piece as my strengths lie in production design, costuming, and editing. I've taken great care to design and often hand make props and costumes in order to accurately portray pop culture of the era, and to colour grade footage in order to give the film a "John Huges Movie" look .
As for screenwriting; I wanted the film to feel like a caricature of an 80s teen movie. To achieve this I've written cheesy, melodramatic dialogue that is common within teen films, and I've leant into cliches and archetypes from the era, and saturated them. This allows to audience to recognise the genre that the film is intended to mimic and almost satirise. I've also included the expressionist technique of visual metaphor which is used frequently throughout the film, tying it to an "art house" category. The intention of this is to make it clear that 1987 is not a part of mainstream media, but rather an art film that mimics the nuts and bolts of main stream media, in order to subvert the meaning of a genre.
Whilst the film is a romance and a period piece it's also an attempt to criticise the film industry's bad habit of over romanticising the past without acknowledging the inherent issues of the time period. Even though in terms of pop culture; the nineteen eighties was a fun, exiting and colourful era, in terms of social progress the eighties were extremely homophobic, this film intends to address this issue, rather than brushing it aside to make more room for romance. Making the statement that we can enjoy seeing our favourite decades of the past on screen, and tell happy stories within these time periods; without ignoring the inherent flaws of the era.

FINAL DIRECTOR'S CUT

Reception

1987 was selected for the 2021 Perspectives screening as well as featuring in ten private film festivals both locally and internationally (as listed to the right). The film became a finalist in the Excelisa & Sydney Film School Festival and was given an award for "Most Promising Director" at the Toronto Student International Film Festival.

  • Panorama Film Festival: A Film Festival For Queer and Trans Youth (Salem)

  • Youth Diversity Film Festival (Los Angeles)

  • SE Pennsylvania Teen Filmmakers Showcase (Pennsylvania)

  • The Paus Premieres Festival (Liverpool)

  • Liftoff Festival (London)

  • Liftoff Junior Festival (London)

  • Urbanite Arts & Film Festival (New York)

  • WA Made Film Festival (Perth)

  • Perspectives Inter-school Film Festival (Perth)

  • Excelsia & Sydney Film School Festival (Sydney)

  • Toronto International Student Film Festival (Toronto)

TEAM MEMBERS

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Starring

FRANCES LAKE

Frances Lake plays the character Friday McGuire in 1987, a protagonist who finds herself having to choose between love and conformity. Friday has aspirations of becoming a musician and is heavily involved in the punk subculture of the late 1980s.

COSTUMING

All of the costumes were sourced through second hand stores, personal belongings, or I had made from scratch. I took great care to alter or adjust many of the second hand pieces to better suit the characters and represent their subcultures. In the slide show below I have broken down some of the significant costuming decisions

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FRIDAY'S JACKET

Throughout the film Friday wears a dark blue denim jacket covered in paint with various slogans like "Oh bondage! up yours!" and "You can't kill me in a way that matters!". The jacket is decorated with illustrations of eyes, snakes, spider webs, fire and feminist symbols. This ties Friday to the punk subculture and sets her archetype as the typical alternative outcast character. In the opening sequence Debbie is also shown wearing the jacket

STILLS GALLERY

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